A House Not Meant to Stand
Fountain Theatre
Reviewed by Jose Ruiz

Of all the things people could say about Tennessee Williams, subtle was not one of them. This was the last play he wrote, although he had no way of knowing it at the time, but it seems that he poured every bit of his disdain for the corruption, the hypocrisy and the avarice of people into the characters that populate his metaphoric house. In producing the work, the Fountain theatre triumphs in creating a fiercely dark comic look at one of Williams’ most dysfunctional families. Every nuance of the original presentation has been carefully captured by Director Simon Levy who leads a superb cast that makes the characters vibrant and believable.

Sandy Martin - Alan Blumenfeld
 
The dilapidated house in this play is owned by Cornelius and Bella McCorkle, in Pascagoula, Mississippi. The time is during the Christmas holidays and the couple has just buried their oldest son, a gay man that Cornelius ran off from the home years earlier and drank himself to death in another town. They also have a daughter, Joanie, but Cornelius institutionalized her because he felt she was mentally ill. It’s a rainy night when they get back from the funeral and after a few drinks Cornelius, an erstwhile wannabe politician, tries to get his wife to disclose where she concealed a large amount of money she inherited from her grandfather, who accumulated his wealth illegally by making and selling moonshine. Bella suffers from mild dementia and Cornelius threatens her also with institutionalization if she does not tell him. To their surprise, the middle son Charlie has come home with his pregnant fiancé, a slightly ditzy and zealously religious former party girl, but Cornelius objects to her and soon arguments yelling and even physical violence erupts as Cornelius attempts to impose his will on everyone.

The play definitely belongs to Alan Blumenfeld who owns the character of Cornelius McCorkle giving him a Southern blustery personality that makes him both comic and tragic. His anxious voice reveals his greed, his overbearing demeanor speaks of a man who knows he’s grasping for smoke rings in a last gasp for control and power and you can almost smell the liquor on his breath. Blumenfeld is wonderfully sparred by Sandy Martin, who gives Bella a broad range of sensations, drifting from completely lucid, to borderline demented to totally manic. Bella is the most pitiable and helpless character, becoming the ultimate classic victim.

The most surprising character is Stacey, Charlie’s pregnant girlfriend. First introduced as rather shy she suddenly embraces her overzealous religious faith, praying, jumping on the coffee table, shouting and speaking in tongues and we never know if she's trying to impress the family or is a little off. Virginia Newcomb is terrific in the opening night performance, and she will be sharing this role with Lisa Richards.

The rest of the cast is outstanding as well, including Daniel Billet as son Charlie and Robert Craighead as pseudo entrepreneur Emerson Sykes. Lisa Richards as his wife Jessica has some excellent moments and Chip Bent as “Pee Wee” Jackson and Kevin High as Dr. Crane round out the cast.

It has been written that the broken down old house represents the contemporary society (the play was first performed in 1982) and the characters are modeled after some of Williams’ own family. Whatever the case, this play is a powerful denunciation of a type of life in the South and the Fountain Theatre’s production is another example of the excellent work that has become a trademark of the company. Fans of Williams will love this play and those new to his work could not find a better place to get introduced to one of America’s greatest writers.

Tickets and information at: http://www.fountaintheatre.com/perform.html

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Photo: Ed Krieger